
HOW A LINEAR EVENT CAN BE BROKEN DOWN ALLOWING OPEN — NARRATIVES

Long Shot was a reflective video installation that deconstructed various narratives surrounding an event that became iconic in the media, inviting visitors to create new possible scenarios through a "guided" viewing experience. Yossi Bloch, a director and documentary artist known for works like Ivan the Terrible (Netflix, 2019) and Silicon Valley (2013), explored how a single linear event could be dismantled, allowing the audience to construct more open-ended narratives relevant to contemporary politics, using the case of Elor Azaria as a focal point.
The installation served as a critique of guided media and our role as passive consumers, while also reflecting on a new era of exposing media corruption. In this context, films became crucial in revealing how corrupt practices unfold.
Curator: Reut Barnea.
Photography: Merav Rahat, Yossi Bloch.
YOSSI BLOCH
YOSSI BLOCH
LONG SHOT
(2022)
Long Shot was a reflective video installation that deconstructed various narratives surrounding an event that became iconic in the media, inviting visitors to create new possible scenarios through a "guided" viewing experience. Yossi Bloch, a director and documentary artist known for works like Ivan the Terrible (Netflix, 2019) and Silicon Valley (2013), explored how a single linear event could be dismantled, allowing the audience to construct more open-ended narratives relevant to contemporary politics, using the case of Elor Azaria as a focal point.
The installation served as a critique of guided media and our role as passive consumers, while also reflecting on a new era of exposing media corruption. In this context, films became crucial in revealing how corrupt practices unfold.
Curator: Reut Barnea.
Photography: Merav Rahat, Yossi Bloch.
YOSSI BLOCH











