GAME THAT MOVES BETWEEN THE PERCEPTUAL LINE — BOUNDARY
The discourse of Eyal Segal video installation takes place on several levels: the Israeli Culture, the socio-political and existential status, between life and death between heaven and earth. The works generate a game that moves between the thematic and perceptual line or boundary. Eyal chose various genres in the field of video. "Moses" a short documentary, which traces an Israeli character from the Hatikva neighborhood, a kind of "Salah Shabati" post-hero, who spends his time searching for treasures lost under the sand off the coast of Israel. A kind of fantasy detector that presents us with a socio-political mirror, Israel as a utopian or realistic fiction? Photo: Yotam Frum
EYAL SEGAL
EYAL SEGAL
LINE IN THE SAND
(2021)
The discourse of Eyal Segal video installation takes place on several levels: the Israeli Culture, the socio-political and existential status, between life and death between heaven and earth. The works generate a game that moves between the thematic and perceptual line or boundary. Eyal chose various genres in the field of video. "Moses" a short documentary, which traces an Israeli character from the Hatikva neighborhood, a kind of "Salah Shabati" post-hero, who spends his time searching for treasures lost under the sand off the coast of Israel. A kind of fantasy detector that presents us with a socio-political mirror, Israel as a utopian or realistic fiction? Photo: Yotam Frum