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                            GAME THAT MOVES BETWEEN THE PERCEPTUAL LINE — BOUNDARY

EYAL SEGAL

The discourse of Eyal Segal video installation takes place on several levels: the Israeli Culture, the socio-political and existential status, between life and death between heaven and earth. The works generate a game that moves between the thematic and perceptual line or boundary. Eyal chose various genres in the field of video. "Moses" a short documentary, which traces an Israeli character from the Hatikva neighborhood, a kind of "Salah Shabati" post-hero, who spends his time searching for treasures lost under the sand off the coast of Israel. A kind of fantasy detector that presents us with a socio-political mirror, Israel as a utopian or realistic fiction? Photo: Yotam Frum

EYAL SEGAL

EYAL SEGAL

LINE IN THE SAND

(2021)

The discourse of Eyal Segal video installation takes place on several levels: the Israeli Culture, the socio-political and existential status, between life and death between heaven and earth. The works generate a game that moves between the thematic and perceptual line or boundary. Eyal chose various genres in the field of video. "Moses" a short documentary, which traces an Israeli character from the Hatikva neighborhood, a kind of "Salah Shabati" post-hero, who spends his time searching for treasures lost under the sand off the coast of Israel. A kind of fantasy detector that presents us with a socio-political mirror, Israel as a utopian or realistic fiction? Photo: Yotam Frum

EYAL SEGAL

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